On March 20, 2020 the International Center of Photography announced an open call for imagemakers around the world to post and tag images responding to the COVID-19 pandemic and in support of Black Lives Matter. The hashtag #ICPConcerned was named in recognition of ICP’s founding principle to champion “concerned photography”—socially and politically minded images that can educate and change the world. Confirmed cases had just surpassed 200,000 globally. It had taken over three months to reach the first 100,000 and just 12 days to reach the next 100,000. By March 24 the number had surpassed 400,000. The virus is invisible and its deadliest effects were happening in near isolation. As the confirmed cases in New York City reached 10,000 the number of #ICPConcerned images on Instagram also reached 10,000.
Photojournalism and documentary pictures sit with staged and more metaphorical photographs. Amateur smartphone pictures are being uploaded alongside the work of professional imagemakers. A whole range of emotions is present: anger, despair, loss, confusion, frustration, boredom, loneliness, strength, and resolve. Data shows the virus disproportionally affects people of color and those who are otherwise marginalized and disadvantaged. Everyone is in the same storm, but not in the same boat.
On May 25, George Floyd, a Black man, was killed in Minneapolis by a white police officer, Derek Chauvin, during an arrest for allegedly using a counterfeit bill. The murder was filmed by 17-year-old Darnella Frazier and the video helped galvanize protests against police brutality and marches in support of Black lives around the world. Millions came out of isolation to gather in anger and defiance of centuries of systemic racism and white supremacy.
Within days, streets went from empty to full of protest. Thousands of #ICPConcerned images of the demonstrations were uploaded and shared. Intense debates erupted about the way the protests were being documented. Should faces be shown? Who has the right to photograph? Who was the media commissioning to take photographs?
In June, ICP initiated an evolving exhibition, #ICPConcerned: Global Images for Global Crisis in its largest gallery space. One thousand images are being chosen by a wide range of ICP staff—curators, administrators, and educators. Photographers are being contacted, and prints made in the gallery space. For a time, no one was able to visit but the process and the installation were documented and shown online, taking the images back to the worldwide audience that made them. Now, the returning public will be able to come see a visual account of this tumultuous era.
The number of photographs in the show surpasses 700 and continues to grow, and so far, represents submissions from 70 countries. Displayed in reverse chronological order, images responding to the COVID-19 pandemic and in support of Black Lives Matter expose the effects of corporate greed, mass unemployment, ecological crisis, and deep fear about the future. What we interpreted as “normal” pre-pandemic is being challenged by what we have learned about the interconnectedness of our problems and the interdependence of our lives.
This site serves as a virtual presentation of the images in #ICPConcerned: Global Images for Global Crisis. The exhibition is on view at ICP (79 Essex Street, New York, NY) starting October 1, 2020. Reserve your timed tickets in advance to guarantee admission. We hope to see you soon!
Images for this evolving exhibition are being chosen by a wide range of ICP curators, administrators, and educators, including Colby Anderson, Debby Brown, David Campany, Megan Cross, Carly Goldman, Jacque Donaldson, Sara Ickow, Anne Massoni, Lauren McCay, Stephanie Routier, Susie Sofranko, Erica Somerwitz, and Sarah Stuby.
#ICPConcerned: Global Images for Global Crisis is coordinated by David Campany, managing director of programs, and Sara Ickow, curatorial coordinator.
Production: Gigi Loizzo, Lauren McCay, Colby Anderson, Jacque Donaldson, Mark Sweeney
Website: Laura Strom Wondergem
Hear directly from a selection of contributing photographers to learn more about the stories behind their images in the #ICPConcerned: Global Images for Global Crisis audio guide, which will continue to expand alongside the physical exhibition. Audio guides are available for images marked with a headphone icon, 🎧 . Visit the exhibition audio guide site to listen.
The audio guide includes perspectives from alumni of ICP’s Full-Time Programs and past Continuing Education students as well as members of the ICP community residing across the United States and abroad, including Pakistan, Indonesia, France, and Peru. Transcripts and translations are available in up to 10 languages.
Special thanks to Gesso, ICP's audio guide host.
#ICPConcerned: Global Images for Global Crisis has been made possible by generous support of the ICP Exhibitions Committee: Luana Alesio, Debby Brown, Michael Clinton, Marnie Gelfman, Almudena Legorreta, Elizabeth Richebourg Rea, Helena Sokoloff, and Heather Vrattos.
Exhibitions at ICP are supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Additional exhibition support is provided by the Joseph and Joan Cullman Foundation for the Arts, Inc.
The International Center of Photography is the world’s leading institution dedicated to photography and visual culture. Cornell Capa founded ICP in 1974 to champion “concerned photography”—socially and politically minded images that can educate and change the world. Through our exhibitions, education programs, community outreach, and public programs, ICP offers an open forum for dialogue about the power of the image. Learn more on icp.org.
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